Tom Cruise has decided it's his turn to get in on the comic book action -- and he's teaming up with Sam Raimi to do it. According to The Hollywood Reporter, the duo is setting up the DC/Wildstorm comic series Sleeper at Warner Bros. At this point, Raimi is only producing, but Cruise is hoping to star.

Penned by Ed Brubaker, Sleeper was a 12-issue series set in the Wildstorm universe, which means it steers clear of all those heroic crossovers. (It actually involves a villain created by Alan Moore, though, which should be a terrific selling point.) It centers on Holden Carver, a man who was fused with an alien artifact that makes him impervious to pain, and allows him to pass that torment onto whoever he touches. Being a sensitive sort, Carver wants to get rid of his powers -- but tough luck, he's working undercover in the Tao criminal organization. There's a Departed-like twist that leaves Carver stranded within the organization -- but he falls in love with one member, Miss Misery, while befriending another, the cuddly Genocide Jones. All the while he's torn between the work he's doing, his powers, and his relationships with unsavory people.

Sleeper has been embroiled in complicated rights issues, having been set up at several different studios over the years. Warner Bros, post-Watchmen lawsuit, is being extra careful to make everything black and white this time -- and Cruise's interest has already spurred the detangling process. (Which is kind of funny, if you remember the rumors that he was in the running to play Oxymandias -- and Adrian's fascination with how Alexander the Great undid a complicated knot. Wheels within wheels!)

I know there's some Sleeper fans out there -- it's one of those quiet, but well received books that never get enough attention. How do you feel about Cruise playing the lead?

Self-serious superstar Tom Cruise pops up (nearly unrecognizably) in a supporting role in Ben Stiller's new comedy Tropic Thunder. Not much has been made of the performance in the press, but I for one think it represents a brilliant new land of opportunity for Mr. Cruise. Nothing makes a guy 'accessible' like a foul-mouthed and very funny performance in a surprisingly good comedy -- and all of those things apply here. I've always been pretty ambivalent about Tom Cruise -- I think he's an underrated actor and an overrated movie star -- but this is the first time he really "amazed" me since his shockingly raunchy (and quite excellent) performance in Paul Thomas Anderson's Magnolia.

At first I didn't even recognize Cruise in the film. I'd heard it mentioned that the actor had a supporting part in the flick, but I suppose I'd forgotten about it. When Cruise's character (a sleazy studio head called Les Grossman) first appeared on-screen, I was just sure it was a character actor named Enrico Colantoni. Not only because of the shocking resemblance -- but mainly because the guy playing the studio chief is drop-dead freakin' hilarious. The fact that I mistook Tom Cruise for Enrico Colantoni is a rather large compliment -- to Tom Cruise.

Coated with a bald-cap, a fat suit, and a thicket of wiry arm hair, Cruise powers through his scenes (mostly with Bill Hader and Matthew McConaughey) with tons of vulgarity, strangeness, and dancing. Yes, dancing. Frankly we've never seen Tom Cruise let his hair down in this wacky a fashion, and I'd like to thank Ben Stiller for making it happen. (When he's just an actor, Stiller's output can be distressingly inconsistent, but as a writer / director he's simply a lot more reliable. And infinitely funnier.)

So that's the discussion point for today: What did you think of Tom Cruise's work in Tropic Thunder? I'd see the flick again just for his X-rated telephone tirades. Bonus Topic: As amusing is he is, Cruise isn't even the funniest guy in the flick. That honor would go to Robert Downey Jr., who has earned himself one stellar summer of redemption. Good for you, Rob!

Having just watched Tropic Thunder last night, my head is half full with Tom Cruise's performance. I won't spoil it, but I will say that he's got more than just a brief blip in the film, and at times, the Scientology stigma that's plagued him lately just dropped away. Of course, that led me to the conclusion that he needs more comedy to get his career back on track, but while he IS starting a Food Fight, he's also looking for more spy action.

The Hollywood Reporter posts that he's in negotiations to star in the remake of the French spy thriller The Tourist. This is the feature that Bharat Nalluri signed on to direct in June, that focuses on an American tourist who becomes a pawn in a female Interpol agent's dangerous game. Basically, a money launderer changes his name and face, but this tourist looks like the guy, and is brought into the mess and set up as the bait.

Personally, I wish he'd just stick with the laughs right now, but what do you think? Would Cruise make good bait? And check out our recent What Should Cruise Do Next Poll where 47% of you currently feel he should do a comedy.

UPDATE: Cinematical has been given this brand new still from the film, which shows Cruise without the eye patch.

MGM seems to be trying to reverse the effects of the doomsaying that circulated about Tom Cruise and Bryan Singer's Hitler-assassination-attempt thriller Valkyrie in the spring, culminating in the announcement that the movie was moving from December 2008 to President's Day 2009. That was received as a surrender, a sure sign that the studio had no confidence in the film and was doing damage control by moving it out of harm's way. Now, following some successful test screenings, MGM has reversed itself and is moving Valkyrie back into the heart of Oscar season: December 26, 2008. Apparently, though, the studio still doesn't think it has awards potential, and is making the move because it thinks Valkyrie will do well in the Christmastime marketplace.

I'm sure positive test screenings did have a lot to do with MGM's decision, but I think it's a smart move because it's great spin control. The press loves to read the tea leaves of studio behavior, and will see this as a major vote of confidence. I suspect the buzz on Valkyrie will seriously improve now that it is no longer the subject of what was perceived as a February dump.

For my part, I don't care about Tom Cruise or his silly eyepatch, but I have a lot of trust in Bryan Singer. The man can make a good mainstream thriller, and I don't see why Valkyrie should be any exception. I think a lot of the "bad buzz" (such as Roger Friedman randomly attacking the film) is just Cruise-bashing, which may be justified but probably shouldn't extend to his movies.

Tropic Thunder, starring Ben Stiller as one of a group of runaway actors whose work on a big-budget Vietnam epic goes horribly awry, is a funny, far-fetched mockery of modern Hollywood; the laughs don't maintain anything like a coherent intensity, but when they come, they're big enough to get you through the spaces between them. Some will mistakenly call Tropic Thunder a satire, but Tropic Thunder is in fact an example of satire's boisterous, bumbling sibling, the spoof. A satire's held with a light but precise grip, so the point can slice and the blade can cut; a spoof's more of a club, landing with blunt force and broad impact.

Star and director Stiller attacked the celebrity-industrial complex before, in 2001's Zoolander, and Tropic Thunder has more in common with that film than you might think; Stiller manages to mock action and thrills while also delivering them, and he's got a fine grasp of coarse celebrity behavior. Stiller seems drawn to characters whose self-centered arrogance is mixed in equal measure with self-loathing insecurity. We see an interview clip where Stiller's character, box office star Tugg Speedman, is informed by an interviewer how "Someone close to you said 'One more flop and it's over for him.'" Speedman pauses, and then asks his follow-up: "Somebody said they were close to me?"

You know how they say the way to a man's heart is through food? Well, when you're an actor who's fallen from grace, then the way back into the hearts of your audience is through comedy. AND ... if you really want to go berserk, you choose a film that combines food and comedy! Wham! Welcome back to Hollywood Mr. Tom Cruise. Yup, The Hollywood Reporter tells us Cruise is enjoying all the buzz surrounding his scene-stealing cameo in Tropic Thunder and is now "loosely attached" (ie: the Oscar wind can blow and knock him right off) to the comedy Food Fight.

Should he remain this film's star, Cruise would play a snooty New York chef who, for some odd reason, is forced to cook in a school cafeteria. Steven Brill was originally in talks to direct the film, but they've since gone on to other candidates (one imagines Cruise wasn't too keen on working with the dude behind Without a Paddle and Drillbit Taylor). As of now, Adam Brooks (Definitely, Maybe) is attached to pen the script. Food Fight is just one of several projects Cruise is "loosely attached" to, as the world is still waiting to see what the man takes on following his stint as an eye patch-wearing Hitler assassin in Bryan Singer's upcoming Valkyrie.

Remember how we told you about six weeks ago that it looked like Tom Cruise's next project would be an espionage thriller called Edwin A. Salt? In fact, the news was that Cruise was going to do Edwin instead of the political thriller The 28th Amendment. Well, now it looks like he's not doing either one. He's changed his mind on Edwin, and now the star of the film is going to be ... Angelina Jolie.

I'm not sure I would have considered Tom Cruise and Angelina Jolie interchangeable, but that's Hollywood for you. According to Variety, Cruise was the latest in a long line of actors who have expressed interest in the project over the years, and after he backed out, Jolie threw her hat in the ring. The deal is pretty much set, and it was thrown together very quickly. I guess when Angelina Jolie says she wants to headline your spy thriller, you bring some people in over the weekend to hammer out the details.

The screenwriter, Kurt Wimmer, will make adjustments in the script to accommodate the protagonist's new gender, and obviously the title will have to change slightly. (Edwin A. Salt = Edwina Salt?) But considering Jolie has already played an action hero successfully in Mr. & Mrs. Smith and this summer's Wanted (pictured), I suspect all that'll really be necessary is a find-and-replace search of the character's name. It's not like Wimmer will need to incoporate a scene where the spy gets her nails done or goes shoe shopping.

So now the question is: After next year's Valkyrie, what will Cruise's next project be? I think Edwin would have been a great fit for him. Of course, f I were the one making Cruise's career decisions, a lot of other things would be different, too, so never mind what I think.

Honestly, by now, I think we've all lost that lovin' feeling.

It wouldn't surprise me in the least to hear that folks were mulling a sequel to the 1986 romantic fighter jet flick. Not only are sequels to older films hot these days (see: Indiana Jones 4, Rocky 6, Die Hard 4), but Tom Cruise could provide a real boost to his rep if he were to revisit the character that kinda made him. Whether or not it would actually turn out to be a good movie is a whole different conversation. First off, according to those extremely reliable cats at The Sun, a script outline for Top Gun 2 is done and "movie bosses" want Cruise to star.

Apparently a source said this about the plot: "The idea is Maverick is at the Top Gun school as an instructor - and this time it is he who has to deal with a cocky new female pilot." Ooohh, original ... and spicy! It's like Karate Kid 4 meets A Really Big Paycheck for Tom Cruise! And yet ... we'd all still see it. Why are we such suckers? We currently have no idea how real this rumor is, so for the time being I wouldn't exactly break out into song and dance. Maybe it'll happen, maybe it won't.

What say you? Could this be the sequel we've subconsciously been waiting for our entire lives?

Well, I guess they don't call The New York Times the 'Paper of Record' for nothing; because not only are they the final word in journalism, but now Hollywood has come knocking for script ideas. Variety has announced the latest Times film deal, proving that the paper is going full steam into the movie business. Monika brought us an update on a Miramax deal for the film rights to the article, This Strange Thing Called Prom, but that is only the tip of the iceberg for the Old Grey Lady.

Now that the newspaper and magazine business has become what they call "economically challenged," everyone is on the hunt for some new revenue streams and Hollywood seems to be paying off. The current deals will see NYT writers share in the profits of the movie deals. But unlike the past, the newspaper will be the broker of the deals, instead of just subsidizing the articles, only to watch the writer hit a big pay day after optioning the piece.

The latest deal with Miramax marks the 15th property (that's right: 15) that the NYT has sold to studios since it first signed up with ICM. Some of the other high profile deals included a football vehicle for Jack Black, a political suspense tale that was purchased by Paramount for Tom Cruise (but I guess we all know how that particular deal probably turned out) and the recently announced J.J Abrams thriller. But the NYT is not alone in looking for bucks on the big screen; high profile papers like The Wall Street Journal have also been getting in on the act.

So is it official? Has Hollywood become so strapped for fresh ideas that they can only make it to their front doorstep for something new? Sound off below on this trend and tell us what you think.

We reported several weeks ago that Tom Cruise was all but confirmed to play the U.S. president in The 28th Amendment, a thriller that was to be directed by Phillip Noyce and co-star Denzel Washington. But now Variety has delivered a hold-your-horses on that story, saying Amendment is being set aside in favor of something else: an espionage thriller called Edwin A. Salt.

This one will star Cruise as a CIA agent accused of being a traitor. He has to go on the lam long enough to clear his name, find the real bad guy, etc.; you know the drill. The film has been in the works as a star vehicle for Cruise for some time, with Terry George and Peter Berg at various times attached to direct it. (The screenplay was written by Kurt Wimmer, author of the recent flop Street Kings.) Now it looks like the reins will go to Noyce, who previously made the action flicks Patriot Games and Clear and Present Danger.

The 28th Amendment sounds fine, and no doubt it will still get made with a different director and co-star for Denzel. But I really like the sound of Edwin A. Salt. Noyce is a very solid director, with 2002's double-whammy of Rabbit-Proof Fence and The Quiet American still looming large in my memory, and he's generally made serious, respectable films (Sliver notwithstanding). We don't know yet how Cruise's troubled Valkyrie will turn out, but Edwin A. Salt -- a heroic role guided by a smart director -- could be a wise move for his next project.