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The Best Non-Dysfunctional Movie Families ... in Honor of Thanksgiving
In honor of Thanksgiving, we're recalling one of our favorite turkey day-themed posts from last year.
By: Jette Kernion
By: Jette Kernion
A few years ago, I wrote a Cinematical Seven on my favorite dysfunctional families in films. Everyone has a crazy messed-up movie family they love, whether it's the Hoovers in Little Miss Sunshine or the Bullocks in My Man Godfrey or the Corleones in the Godfather saga. I thought that this year, it would be fun to make a list of families that got along, worked together, and supported one another. You know, happy families ... but not dull, one-dimensional bundles of endless cheer.
It's a lot more difficult to find seven movies with happy-but-not-sappy families than it is to find the screwed-up kind, especially if you are looking for something more interesting than the Cleavers. Since I'm visiting my relatives for the Thanksgiving holidays, I asked them for suggestions. They were all very helpful, and I'm sorry I couldn't include all the suggestions, which ranged from The Thin Man to The Sound of Music to The Hills Have Eyes. Let me know what else we missed in the comments.
The Parrs in The Incredibles (suggested by my husband)
The Parrs aren't perfect. After all, Bob (aka Mr. Incredible) sneaks around behind his family's back to use his superhero powers again, after they've all decided to live a life as ordinary non-powerful folks. And Violet is rather sulky, but that's what teenagers do. But when someone is in trouble, everyone rushes to help. I was torn between The Incredibles and another movie about a family full of action heroes (or potential heroes), Spy Kids. Both feature strong families, but are never boring.
Cinematical Seven: The Orson Welles Primer
Filed under: Fandom, Cinematical Seven, Lists
This week Richard Linklater's Me and Orson Welles is finally making its way to the big screen. It's not a big buzzed-about film, but it is, indeed, one worthy of your time. The movie offers a peek at Efron's possible future (which the abysmal 17 Again completely failed to do), a delightful look into creating art in the '30s, and it recreates the nuances of theater on the big screen. And hey, it's a Linklater film, which seems to be painfully rare these days.
But none of those reasons are why I urge you to see it. It all rests on the shoulders of actor Christian McKay, who plays Orson Welles. I missed the film at TIFF, and spent the next year listening to raves over McKay's performance before I finally got the chance to make it to a screening. Even with the rave reviews and raised expectations, it was quite easy to get mesmerized by McKay, who not only bears an uncanny resemblance to the iconic actor and filmmaker, but also adeptly embodies the man's larger-than-life ways.
To get the full experience, you must be familiar with Welles, and if you're not, well, good lord, now's the time to change that. What follows are some of Welles' essential work, as well as glimpses into the man's real life so you can see just how good McKay's performance is.
The Top Five Reasons to See 'New Moon'
Filed under: Romance, Sci-Fi & Fantasy, Fandom, Lists
Are your pitchforks nice and sharp? Torches soaked in kerosene, ready to burn my house down? If not, I'll wait. Ready? Good, because I'm about to give you five reasons why you should see New Moon, which you may not be aware is the the latest entry in the Twilight Saga. Some background, so you know where my allegiances lay.I've never read a single word of any of the Twilight books. I found the first film to be a rote exercise in appealing to a demographic that was (and still is) in every quantifiable factor not me. I don't care about supernatural romance novels, and unless it's Jeff Goldblum and Gena Davis in The Fly, I don't much care for supernatural romances on film, either. Twilight exists and I exist, but we have little to do with each other outside of sharing the same planet.
I am, however, genuinely enthused to see New Moon. I'm as shocked as you. Let me explain.
Catherine Hardwicke is Gone.
Attack the source material and the fans all you want, but the biggest problem with Twilight is that it just was not an interesting film. Plenty of blame for that has been tossed around, but ultimately it lands on the shoulders of the director. Catherine Hardwicke is not an inherently bad filmmaker (Lords of Dogtown is a fine film) but she couldn't have taken a less enthusiastic approach to a story about the fantastic (note the order of words, as Twilight is not, I feel, a fantastic story). Exhibit A, the baseball scene.
Vampires using thunderclaps to cover up their baseball games isn't all that interesting to begin with, but I guarantee you that if Kathryn Bigelow had done it in Near Dark, it'd be a staple scene in vampire films. Hardwicke, however, either didn't have the vision or drive to elevate the film above the material, which is unfortunate. But now she's been replaced.
Cinematical Seven: Silliest Disaster Scenarios
Filed under: Action, Sci-Fi & Fantasy, Thrillers, New Line, Paramount, 20th Century Fox, Cinematical Seven, Lists
We both know that I could probably fill all seven slots of this list with just scenes from Roland Emmerich's disaster-tastic 2012, but in the interests of letting everyone else get a chance to see it, let's stick with films that have already come and gone. Some of these titles qualify because of the uniquely ridiculous nature of their disasters, while others count for what ridiculous plots unfold amidst otherwise ordinarily perilous acts of nature.
There will be a couple of spoilers to go along with our picks, but since most of these have been out for a couple of years, it's not like it's the end of the world...
Five Radio Flicks That Rocked the Big Screen
Filed under: Music & Musicals, Fandom, Lists
I've always been drawn to radio on the big screen. It seems antithetical -- a sound format being so perfect for a medium full of sound and imagery. Video killed the radio star ... right? Nevertheless, radio leads to wonderfully aural expression that gives film that extra little something, whether that be the perfectly pitched voice of a radio DJ delighting in word play or the perfectly placed song that evokes any number of emotions. Word play and great music -- they've always been my weakness.Therefore, naturally, I'm all sorts of excited for this week's cinematic slate, which not only includes disasters, tough women, and fantastic foxes, but also a little flick called Pirate Radio. This ensemble comedy has been a long time coming. In fact, it's been almost a year since we first got to see a trailer for the film that not only features a cast including Nick Frost and Bill Nighy, but also marks the return of Philip Seymour Hoffman to the retro radio seat. Oh yes, Lester Bangs is back, only this time he calls himself The Count.
To get you in the mood for true pirate radio living on a tried and true ship, check out five great on-screen radio moments after the jump. (Warning: Some are NSFW.)
Top 10 Annoyingly Ambiguous Movie Endings
Yesterday, we posted a very funny video from College Humor that resolved some classic ambiguous endings in film: The Graduate, Lost in Translation, and so forth. But it reminded me that sometimes these vague endings can be truly irritating and frustrating. I hate sitting through what is shaping up into a good movie experience, then the end negates the whole film, makes no sense, or just plain ends without warning or closure.
Sometimes these ambiguous endings are great: I felt the ending of The Wrestler was just right, and I also liked the way the recently released A Serious Man concluded. Sometimes these unresolved endings are meant to pave the way for a sequel, which is great if you happen to have the sequel there with you, but when it's a new movie, you just want to throttle the filmmakers. Here are 10 movies with endings that make me want to throw a popcorn box at the screen, or find the filmmakers and demand an explanation. It goes without saying that I'm about to spoil the endings of 10 films, so you've been warned.
Quick List: Five Favorite Ice-Bound Movie Moments
Filed under: Horror, Sci-Fi & Fantasy, Comic/Superhero/Geek, Lists
I typically end up missing out on most kid films during their theatrical runs (there just isn't enough time to catch all the G-Forces of the world), but I recently caught up with the money-making monster that is Ice Age: Dawn of the Dinosaurs from the comfort of my own couch. Between watching baby dinosaurs swallow other baby Ice Age critters and thinking about winter's approach, my mind soon drifted towards some of my favorite ice-set moments in film.
I don't know what it is, but having nice, frozen centerpieces in a flick always lure me in. Though I do have my limits, as you won't be finding any of the brain pain that is 10,000 BC on here. Note, these are in no order of importance.
Quick List: Five Of The Scariest Stares
I had every intention of seeing The Men Who Stare At Goats this weekend, but time gets away when you're doing laundry and scrubbing dogs. So I turned to Netflix and decided to do a double feature of Aguirre: The Wrath of God and Cobra Verde. Yeah, I'm not sure why I do these things to myself either.
But the intense eyes of Werner Herzog's best fiend inspired a little list of the actors and actresses who inspire you to shift in your seat with just a single gaze. The list is long and extremely difficult to narrow down to just five, and is unfairly biased towards the menfolk. While a very honorable mention goes to Clint Eastwood's squint, in the interest of variety and equality I decided to honor five others that were equally as terrifying. I hope you dig deep into your fears, and offer up your own picks of a stare that might not be able to kill goats, but that you don't ever want staring into your soul ... or at least across your work desk. (It is Monday after all, and what would your employers do if they caught you having fun with us instead of filing those TPS Reports?)
Head below the jump for the quick list ....
Cinematical Seven: '80s Military Recruitment Movies
Filed under: Fandom, Cinematical Seven, Lists, War
We live in a time when war movies based on toys (Transformers: Revenge of the Fallen, G.I. Joe: The Rise of Cobra) are better received by the public than those that have a basis in truth (The Hurt Locker). G.I. Joe: The Rise of Cobra, out on DVD and Blu-ray today, dances around its origins as military action figures by positioning its heroes as an elite unit, more like well-armed spies than anything resembling common soldiers. The aim appears to be similar, though: provide heroic figures that inspire others to follow in their footsteps.
Back in the 80s, movies that could be mistaken for recruitment propaganda became surprisingly common. The film industry, which had firmly resisted anything related directly to the Vietnam War while it was being waged, became schizophrenic in the 80s, releasing anti-war and pro-war flicks side by side into theaters. Here are seven key films, listed chronologically, that helped shape the public's perception of the military during that decade.
Private Benjamin (1980)
Nancy Meyers began here, co-writing and co-producing the tale of Judy Benjamin (Goldie Hawn), a bride who wears black after her husband (Albert Brooks) dies on their wedding night. A spoiled woman-child, Judy enlists in the armed forces; basic training toughens her up as she realizes she can deal with the rigors of military life. As a budding feminist, she still had miles to go to learn that she didn't need a man or the military to be all she could be; as a poster child for plucky women in the armed forces, Private Benjamin was a positive-reinforcement milestone.
Top 250 Movies as a Subway Map
Filed under: Fandom, Lists, Images
Here's a different way of thinking about well-known movies: imagine each one is a stop on a subway line! Designed by David Honnorat and posted at Vodkaster, the cinematic subway map is based on the top 250 movies as voted by IMDb users on June 19 (which, I suppose, is why The Hangover made it). Honnorat created 16 different imaginary subway lines, including "Universally Acclaimed Masterpiece," "Political drama," "Drama about tolerance," "Dark and weird drama," and other, more traditional categories, and then placed each film on one of the lines. He asked: "How would you go from Alien to North by Northwest without crossing The Godfather: Part II? Which station have you not visited yet?"
The placement of movies on the map can be amusing (Quentin Tarantino's Pulp Fiction side by side with Sergio Leone's Once Upon a Time in America on the gangster line) as well as bizarre yet strangely fitting (Se7en sitting at the intersection of Vertigo, Rashomon, Nosferatu, and Let the Right One In). Click through to see the big map and roll around a bit. Like all subway maps, it's confusing at first but starts to make more sense as you follow the lines from station to station. What's your favorite cinematic subway line?
[ via Geek Tyrant ]
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